放映場地 Screening Venue: 永天台WING
香港柴灣永泰道70號柴灣工業城2期21樓2102室
Unit 2102, 21/F, Chai Wan Industrial City Phase 2, 70 Wing Tai Road, Chai Wan, Hong Kong
2016.04.16 (SAT)12:00 NOON
邊界 Boundary (2013)|Nontawat Numbenchapol|泰國、法國、柬埔寨 Thailand, France, Cambodia
96 mins|高清HD|彩色Colour
柬埔寨和泰語,英文字幕In Khmer and Thai with English subtitles
故事由追訪居住於泰柬邊境的年輕人 Aod參軍開始。本片是關於 2008年被認定為世界文化遺產的柏威夏寺,其主權爭議引發的泰國和柬埔寨之間的爭端。片中的紅黃衫軍抽籤儀式,武裝衝突的實地拍攝,以及穿插著當地人訪談、靠水吃水的生活態度,文化儀式等,從平民百姓的角度逐步打開柏威夏寺爭議的真實相。
導演Nontawat在這部電影中希望與我們反思「邊界」-它不只是領土的邊界,而是社會階級、生與死、幸福與悲傷之間的邊界。
2014年 泰國影評人協會青年導演獎
2013年 第63屆柏林國際電影節 (論壇單元)
The story starts with the interview of a young man called Aod, living near the Thailand-Cambodia boundary, who joined the army. The film is about the Preah Vihear Temple, which had been listed as a UNESCO World Heritage Site in 2008, and the critical issues of sovereignty between Thailand and Cambodia. The red-shirts and the yellow-shirts’ rituals of drawing lots, the armed conflicts taking place next to the temple, the interviews of the locals, and their attitude towards life are shown throughout the film. These angles from the lives of ordinary people gradually reveal the truth behind the critical issues related to the Preah Vihear Temple.
With his film, Nontawat the director, hopes to make viewers reflect on the meaning of “boundary”; not just territorial boundary, but also the boundary between social classes, between life and death and between happiness and sorrow.
2014 Young Director Award, Bangkok Critics Assembly Awards, Thailand.
2013 63rd Berlin International Film Festival (Forum).
2016.04.16 (SAT)2:00PM
帝國教育系統 The Educational System of an Empire (2015)| 藤井光 Hikaru Fujii |日本Japan
21 mins
韓語,英文字幕 In Korean with English subtitles
藤井在短片所使用的資料片段,取自於1940年代由美國(舊制)陸軍憲兵總司令部製作的《日本的教育制度》。影片從許多日本的影像資料中,挑選出與教育有關的部分, 以美軍的觀點剪輯,伴隨旁白展現了大日本帝國如何將皇民化教育帶出學校,使臣民從日常生活中也合乎國策 。
另一邊廂,藤井於一年前在韓國國立美術館的駐館計劃期間,與當地學生一起進行戰爭記憶工作坊。參加工作坊的同學,在看過幾部資料影片後,依照藤井的指示,以自己的身體表現出資料影片中的事件 。
兩組畫面交互呈現,從歷史事實剪輯而成的歷史記憶出發,藤井旨在紀錄現代人如何看待並且抵抗這些事實。
The clips that Fujii used in this short film are picked from “The Educational System of Japan” by the former US Department of the Commander-in-chief of the Army. From a large amount of images and videos, the director selected clips on education and edited them with the perspective of the US army. The narration showed how the Japanese empire brought Japanization out of education, fitting the everyday life of people into the national policy.
On the other hand, Fujii has conducted a workshop on wartime memories with local Korean students, during the Artist-In-Residence programme in the National Art Museum in South Korea. The students, who participated in the workshop, after watching several clips, followed Fujii’s instructions and used their body to express the incidents shown in those images.
The two sets of frames appears on and off throughout the film. It starts off with the cut and edited historical memories from historical facts. Fujii attempts to focus on recording how people treat and resist these facts nowadays.
2016.04.16 (SAT)2:30PM
來自賓童龍的信 (在雲霧之中) Letters from Panduranga (In Smoke and Clouds) (2015)|阮純詩 Nguyen Trinh Thi|越南 Vietnam
2015|35mins|單頻道高清錄像Single-channel HD Video |彩色黑白Colour, B&W
越南語,英文字幕 In Vietnamese with English subtitles
這部散文電影以兩位電影工作者互通的信件作為表現形式,啓發自越南政府計劃在占婆族的信仰聖地寧順,建造國內首見的兩座核電廠,對這個可追溯至近兩千年前的古老母系印度教文化造成威脅。
電影結合藝術創作的方法去探究及反思風景與肖像、紀實與虛構、藝術與民族誌等戰爭和殖民主義下的產物,以及在碰觸其他文化、族群、經驗,以及歷史與過去時所存在的限制。
2015 亞洲藝術雙年展(台灣)
2015 烏拉爾當代藝術工業雙年展(俄羅斯)
The essay film, made in the form of a letter exchange between two filmmakers, was inspired by the fact that the Vietnamese government is to build Vietnam’s first two nuclear power plants in Ninh Thuan, right at the spiritual heart of the Cham people, threatening the survival of this ancient matriarchal Hindu culture that stretches back almost two thousand years.
The film also alludes to the legacy of war and colonialism; exploring and reflecting on landscape and portrait, documentary and fiction, art and ethnography, as methods of working in film and art, and their limitations in accessing the other cultures, peoples, experiences, as well as history and the past.
2015 Asian Art Biennial (Taiwan)
2015 Ural Industrial Biennial (Russia)
*所有影片皆獲得導演同意授權放映
All works in this program are screened with the kind permission of the individual artists.